![]() That deep dive included the “famous Eleanors running around” England in 1966, and even the historical significance of the name Eleanor. #GRAVEYARD LYRICS SKIN#“What we were trying to do was get a little bit under the skin of some of these stories and musing about the moment in which they were composed,” such as the real-life inspirations for Eleanor Rigby, Muldoon said. McCartney’s takes on his former bandmates, lovers, heroes and rivals, and especially, his beloved dad - an enthusiastic pianist whose living room sing-alongs of Tin Pan Alley hits informed his musical development–are warm, witty and occasionally, revealing. But, as the man himself once sang, they are guaranteed to raise a smile. Inevitably, some reminiscences sound familiar. Grand in its sweep, The Lyrics touches upon the people and places behind classics such as Yesterday and Let It Be, and more obscure cuts like I Lost My Little Girl and She’s Given Up Talking. It’s the backstories that make this compendium a must for Fab-philes. The book title notwithstanding, his lyrics don’t always stand on their own in the way that those of Bob Dylan, Bruce Springsteen or Leonard Cohen might. Memorable melodies have been integral to McCartney’s genius, from his days as John Lennon’s songwriting partner through his solo years. Moy Sand and Gravel won the 2003 Pulitzer Prize. “I think I’d say that was very handy at the end of the day… you know, famous people are not necessarily interested in spending time with the star-struck,” observed Muldoon, former poetry editor for The New Yorker and author of more than a dozen poetry collections. #GRAVEYARD LYRICS TV#Although nine years younger than McCartney, the poet said they clicked partly thanks to shared cultural references, from music, films and TV to radio programs and books. The Beatles were “part of the furniture” when Muldoon was growing up in Northern Ireland. And that, with the lyrics and the handwritten lyrics, and with drawings and photographs, suddenly made this very interesting book,” McCartney said. So someone’s had this horrible job of transcribing them all. “And really what happened, we just ended up having five years of great conversations, which we taped. And he’s a poet, and I’m sort of a songwriter, so we’re in the same area. And so we got together,” McCartney, 80, told Barnes & Noble CEO James Daunt in an interview. “I was really a bit of a bystander until they said to me, ‘We want you to talk about these songs in conversation with Paul Muldoon, who at that point, I didn’t know personally. McCartney’s publisher and staff fleshed out the premise for The Lyrics things took off when Muldoon came aboard. Admission to Friday’s 7:30 pm keynote by New York Times columnist Frank Bruni ( The Beauty of Dusk: On Vision Lost and Found) at the Mayo Performing Arts Center is $60. James Patterson, billed as the world’s best-selling author, will address young fans at KidFest before closing the main festival. The talk is free, as are most of the day’s presentations by 60 writers, spanning many genres. He’ll discuss The Lyrics on Saturday, Oct. You know, he had a very good high school education, and he was taught by someone who had studied English Literature at Cambridge,” said Muldoon, one of the featured speakers at this weekend’s Morristown Festival of Books. “I actually suspect that what many readers might not have imagined to be the case is the fact that he’s quite a literary person. Paul Muldoon, Pulitzer Prize-winning poet, and editor of Paul McCartney’s ‘The Lyrics.’ The notion of one of the planet’s musical icons grading Shakespeare essays is not so far-fetched, according to Paul Muldoon, the Pulitzer-winning poet and Princeton professor who interviewed McCartney two dozen times over five years as the project’s editor. McCartney muses about this in The Lyrics, 1956 to the Present (Liveright, 960 pages, $100), his two-volume retrospective. McCartney, English teacher, instead of Sir Paul McCartney, “the cute Beatle.” But for a chance introduction to a fellow named John at a 1957 church fair, he might have become Mr. ![]()
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